Analytic-Continental Divide
History of/is Philosophy Series
And this is a universal law: a living thing can be healthy, strong, and fruitful only when bounded by a horizon; if it is incapable of drawing a horizon around itself, and at the same time too self-centred to enclose its own view within that of another, it will pine away slowly or hasten to its timely end. Cheerfulness, the good conscience, the joyful deed, confidence in the future – all of them depend, in the case of the individual as of a nation, on the existence of a line dividing the bright and discernible from the unilluminable and dark; on one’s being just as able to forget at the right time as to remember at the right time; on the possession of a powerful instinct for sensing when it is necessary to feel historically and when unhistorically. This, precisely, is the proposition the reader is invited to meditate upon: the unhistorical and the historical are necessary in equal measure for the health of an individual, of a people and of a culture.” (emphasis in original)
Friedrich Nietzsche, “On the Advantages and Disadvantages of History for Life”
This semester I will take up Nietzsche’s call to the reader and meditate upon his proposition. In particular, I will explore the possibility that philosophy itself is something to be taken up in a way that is, as Nietzsche put it, “healthy, strong, and fruitful.” If we do this as Nietzsche suggests, moreover, then doing philosophy in this way entails having a feel for the unhistorical and the historical in philosophy, and for when one or the other are necessary or to be avoided. But what precisely is one discerning when they have this feel for the unhistorical and historical in philosophy? In Nietzsche’s essay the cattle grazing before us serve as an introduction to the unhistorical, for the cattle forget what happens immediately after it happens, like the main character in the film Memento. In the case of the cattle, they are incapable of creating new memories, and hence of being historical, and immediately forget what just happened. Leonard, the protagonist from Memento who suffers from anterograde amnesia is also, like the cattle, unable to form new memories or recall what just happened. For Nietzsche these would be examples of the unhistorical, but as he points out, and as is rather obvious for us I would think, being excessively or entirely unhistorical would not serve humans well for we need to find a way to balance the unhistorical with the historical, our capacity to forget and move on (like a goldfish as Ted Lasso would advise) with our capacity to remember and learn from the past.
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